Related Paintings of unknow artist :. | Horses 06 | Portrait of Federico Ubaldo della Rovere | A Saint with a Book. | Fritz Mayer van den Bergh | Floral, beautiful classical still life of flowers.113 |
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Ralph Eleaser Whiteside Earl
(1785-8 - Nashville, Tennessee, September 16, 1838), also known as Ralph E. W. Earl or Ralph Eleazer Whiteside Earl, was an American painter known as the "court painter" to President Andrew Jackson. Earl was the son of portrait painter Ralph Earl and his second wife Ann Whiteside. He was born c. 1785-88, probably in New York City, and likely received his early training in portraiture from his father, whose naive style is reflected in the younger Earl's earliest works. He traveled to London in 1809, where he studied for a year with John Trumbull and was advised by Benjamin West, learning perspective, anatomy, and three-dimensional illusion. He remained in England until 1814, living with his maternal grandfather and uncle in Norwich and executing portrait commissions. He then traveled to Paris before returning to the United States in December 1815 with the intention of creating grand-scale history paintings on the European model. As preparation for a planned project depicting the Battle of New Orleans, Earl met General Andrew Jackson and visited him at his Tennessee home, The Hermitage, in January 1817. Earl painted portraits of Jackson and his family, and married Mrs. Jackson's niece Jane Caffery on 19 May 1819. She died in childbirth in 1820.
Heinrich Foelix
painted Kurfurst Clemens Wenzeslaus von Sachsen in ca. 1776
Ignacio Pinazo
1849-1916 He came from a poor family and in his youth worked as a silversmith, gilder, tile painter and hatter. This experience encouraged an independent spirit unencumbered by academic doctrine. He did, however, attend the Escuela de Bellas Artes in Valencia while working as a hatter, studying colour and composition, life drawing and drawing from the Antique (1868-9). In 1870 he started to devote himself wholly to painting. His early works include several portraits. A series of stays in Italy were important for Pinazo's development. The first of these took place in 1873, when he spent seven months visiting Rome, Naples and Venice and became familiar with the work of Mariano Jos? Bernardo Fortuny y Marsal, whose influence can be seen in Pinazo's small-scale landscapes on panel . Soon, however, his work came to resemble that of the impressionistic Italian painters, the Macchiaioli, as in Pinazo's brightly coloured Wheat-field. His second stay in Italy began in 1877 with an award for his large history painting, Landing of Francis I of France in Valencia